Posted on: September 2, 2016
Princeton Theological Seminary November 12 & 13, 2016
(You can sign up for just Saturday or Saturday & Sunday)
Registration closes October 14, 2016
$25 SCBWI Members / $50 Non-SCBWI Members
Enjoy an afternoon of craft-related workshops with published author/illustrator presenters to help you further your writing/illustrating skills in the world of children's books. The afternoon includes picture book, MG/YA and illustration workshops as well as an editor/agent panel tailored to questions sent when you register. We also provide a designated quiet room for writing, sketching or just relaxing.
Saturday Dinner With Faculty ($70 SCBWI members / $95 Non-SCBWI Members)
When you sign up for Saturday you have the opportunity to attend an intimate dinner with editors, agents, art designers and author/illustrators.
Author/Illustrator Critiques ($50 SCBWI Members / $60 Non-SCBWI Members)
*New this year, available to both Saturday and full weekend attendees: Here's your chance to receive a manuscript critique or a portfolio review with a published author or illustrator! Take advantage of this opportunity to gain suggestions for moving your manuscript or dummies/portfolio to the next level. SCBWI authors/illustrators are notorious for their generous spirit and insightful comments. Don't miss out! Note: If you sign up for a manuscript critique you must upload your manuscript when you register.
Art Designer Critiques ($65 SCBWI Members / $75 Non-SCBWI Members)
*New this year, Available to both Saturday and full weekend attendees. Here is your chance to receive a 15-minute one-on-one portfolio/dummy critique with an Art Designer from Little Brown or Scholastic. This is a great opportunity for those signing up for the Sunday writer's day events but want feedback on a dummy or portfolio. For those already signing up for the Sunday Illustrator events this is also a great opportunity to receive feedback on multiple dummies or portfolio work.
$285 SCBWI Members / $325 Non-SCBWI Members
(includes free registration for Saturday Craft Day)
Note: If you sign up for the Sunday Writer's Day, you must upload your manuscript when you register.
Writers Day Enjoy the benefits of our Sunday opening editor/agent panel, participate in a first-page session, gain feedback in a one-on-one manuscript critique (scheduled on Saturday) with an assigned editor/agent and … Propel your writing with our 2-hour round table session where you share 500 words with an assigned editor or agent and other peers in a group setting.
*Note: All critiques are scheduled on Saturday so Sunday attendees must attend the Saturday portion to receive your critique.
Illustrators Day Show and discuss your pre-assigned illustration project in a group setting with two art designers from Little Brown and Scholastic. The intensive also includes artwork display and promo card display. Propel your work with our 2-hour round table session where you share up to five pieces of art with Art designers plus other peers in a group environment.
Faculty Line Up
Carolyn Bull, Art Designer at Hachette Book Group, Little Brown
Dana Chidiac, Assistant Editor at Dial BFYR, Penguin
Kristin Daly Rens, Executive Editor at Balzer & Bray, Harper Collins
Christa Heschke, Literary Agent at McIntosh and Otis Literary Agency
Alexa Pastor, Assistant Editor at Simon and Schuster BFYR
Jessica Sinsheimer, Agent at Sarah Jane Freymann Literary Agency
Jessica Tice-Gilbert, Senior Art and Novelty Designer at Cartwheel, Scholastic
Roseanne Wells, Associate Literary Agent at The Jennifer DeChiara Literary Agency
Cathy and the NJSCBWI Team
Regional Advisor, NJSCBWI
Posted on: April 28, 2016
June Conference Faculty Update
Kurestin Armada From P.S. Literary Agency
Kurestin will be joining us this year, replacing Maria Vincente from P.S. Literary who has had to cancel. Kurestin will be filling Maria's spot in First page sessions, Editor/Agent Panel, Pitch Sessions, One-On-One Critiques and meal tables. Kurestin will also be doing Maria's workshop on 'An Agent's Guide To Pitching Your Novel'.
Kurestin Armada began her publishing career as an intern with Workman Publishing, and spent time as an assistant at The Lotts Agency before joining P.S. Literary. She holds a B.A. in English from Kenyon College, as well as a publishing certificate from Columbia University. On the children's side she is actively looking for young adult, middle grade, illustrated picture books, and on the adult side she is looking for science fiction, fantasy, magical realism, and literary fiction. She is especially drawn to stories with a compelling voice, a well-built and diverse world, and a touch of humor. Kurestin is based in New York City, and spends most of her time in the city's thriving indie bookstores.
An Agents Guide to Pitching Your Novel
In this workshop, Kurestin will share exactly what it is that literary agents are looking to find in your query letter. She'll discuss strategies for pitching your MG or YA novel that will get you noticed in the slush pile as well as the most common query letter mistakes-and how you can avoid them. Kurestin will also help you pull out the best parts of your query for an in person pitch, and give tips for nailing the pitch. It is recommended that you bring a draft of your query letter.
Looking forward to seeing you in June!
The NJ SCBWI Team
Posted on: March 3, 2016
Registration is Now Open
for the June 2016 Summer Conference!
Early Bird Pricing Deadline: 9 p.m., April 4
Regular Pricing Deadline: 9 p.m., May 7
is still open with a few spots left!
- MODEL MAKING FOR ILLUSTRATION REFERENCE: Find out more and to register HERE
- EVOLUTION RESOLUTION: SOLD OUT / To be added to our waiting list email Karen HERE
NJSCBWI ANNUAL CONFERENCE 2016
Quick tips before heading to the registration site …
To get the most out of your registration and make it as seamless as possible, set aside an hour with your favorite beverage and follow the general registration instructions. Have the general schedule, faculty bios and workshop descriptions handy and use the registration worksheet to help you stay on track. There are space limits to certain sessions and other info to be aware of, so be sure to click a 'details' link where you see it. Also, when registering, if a pdf pops up with 2015 dates, simply refresh your browser, or empty your caches, then refresh.
Most important tip of all: DO NOT USE THE BROWSER BACK BUTTON when you are registering, because you will lose everything and have to start again. Simply, take your time, and if you need to go back to a previous page, simply click one of the tabs within your registration.
Cathy Thole-Daniels at firstname.lastname@example.org
To register—and for all the information you need about the conference go to the registration website here.
Posted on: September 30, 2015
Saturday, Nov. 7, 2015
12:15-12:30 p.m. Registration / Stuart Hall
12:10-12:50 p.m. WELCOME panel/intro to editors/agents / Stuart Hall
1 – 2 p.m. WS1 / Stuart Hall
WS1A: The Picture Book: A Unique Genre w/ Trinka Hakes Noble
WS1B: Creating a Broad Research Bank For Your Novel w/ Charlotte Bennardo
WS1C: Painting Children—Watercolor w/ Karen Romagna (Illustration)
2:10 – 3:10 p.m. WS2 / Stuart Hall
WS2A: Explaining Complex or Unfamiliar Material in Picture Books w/ Laurie Wallmark
WS2B: The Illusion of Life: Writing that Breathes on the Page w/ Mayrose Wood
WS2C: Pacing a Picture Book w/ Greg Pizzoli (Illustration)
3:10-3:30 BREAK / Stuart Hall Basement Lounge
3:30 – 4:30 p.m. WS3 / Stuart Hall
WS3A: Rock Tumbling a Picture Book: The Craft of Revision w/ Beth Ferry
WS3B: Plot, Plan, and Adapt w/ Matt Myklusch
WS3C: Strengthening Our Sketchbook Skills w/ Leeza Hernandez
1 – 4:30 p.m. Critiques with editors/agents for Sunday Writers Day attendees
4:30 – 5:00 p.m. WRAP-UP / Stuart Hall
Saturday, Nov. 7, 2015
6 – 8:30 p.m. Dinner with the Faculty (Pre-registration required. Fee applies) / Mackay Center Lounge
Sunday, Nov. 8, 2015 – Writers/Illustrators Day
8 – 9 a.m. Registration & Breakfast / Mackay Center
9 – 9:45 a.m. Faculty panel / Mackay Center
10 a.m. – 12 p.m. WS4 / Stuart Hall
FPA. First Page Session w/ Allison Weiss & Saba Sulaiman Room 1
FPB. First Page Session w/ Emily Seife & Amy Stern Room 2
FPC. First Page Session w/ Allison Moore & Molly Jaffa Room 3
10 a.m. – 12 p.m. Illustrator Intensive With Andrea Miller & Greg Pizzoli
12 – 1:15 p.m. LUNCH / Mackay Center Auditorium
1:30 – 3:30 p.m. ROUND TABLES / Stuart Hall
Roundtable A w/ Allison Weiss
Roundtable B w/ Emily Seife
Roundtable C w/ Allison Moore
Roundtable D w/ Saba Sulaiman
Roundtable E w/ Amy Stern
Roundtable F w/ Molly Jaffa
Illustrator Round Table A w/ Andrea Miller & Illustrator Round Table B w/ Greg Pizzoli
(Note: illustrator round tables switch after first hour to other mentor)
3:40-3:50 p.m. BREAK / Stuart Hall Basement Lounge
3:50 – 4:50 p.m. WS7 / Stuart Hall / Stuart Hall Auditorium Closing Keynote Sunday w/ Maryrose Wood
3:50-4:50 Remaining Writers Day Critiques/Overflow
4:50-5:15 p.m. WRAP UP / THANK YOUs / Stuart Hall Auditorium
Posted on: September 30, 2015
ON-CAMPUS: Princeton Theological Seminary. Erdman Center. 20 Library Place, Princeton, NJ
If you choose to stay with PTS, you’ll find that the lodging facilities provide a peaceful, retreat-like setting for independent study and overnight accommodations, with internet access in your room, daily housekeeping, complimentary coffee and tea available 24/7, and coin-operated laundry facilities onsite. Lounges with television, VCR and DVD, piano, and a fireplace are available. All these amenities provide opportunities for fellowship and networking with colleagues, as well as quiet indoor or outdoor spaces for spiritual renewal!
- Single bed in room: $55
Room block number is #97081 under “Society Of Book Writers” There are a limited number of rooms available on campus. Book early to avoid disappointment. To book a room at PTS, call directly at (609) 497-7990.
OFF-CAMPUS: Crowne Plaza, Princeton, 900 Scudders Mill Rd, Plainsboro Township, NJ 08536
If you prefer the luxury of a more traditional hotel setting, the Crowne Plaza, Princeton is a short ride from the Seminary and is offering $109 for the Single Kings and $119.00 for doubles. The cut-off date for reservations is 10/23/2015.
Other local hotels located on Route 1 near downtown Princeton include:
Hyatt Regency Princeton
102 Carnegie Center
Princeton, NJ 08540-6293
Tel: 609 987 1234
Holiday Inn Express
870 Scudders Mill Rd
Plainsboro, NJ 08536
Tel: 800 315 2621
Princeton Marriot At Forrestal
100 College Road East
Princeton, NJ 08540
Tel: 609 452 7800
Posted on: September 30, 2015
Please note as part of the FREE* portion offered to SCBWI Members, the following workshops will take place on Saturday, Nov. 7, 2015.
WS1—1 to 2 p.m.
WS1A: The Picture Book: A Unique Genre (Picture books are NOT easy!) w/ Trinka Hakes Noble (PB)
Trinka will discuss the unique and complex craft of the picture book featuring her book The Day Jimmy's Boa Ate the Wash, illustrated by Steven Kellogg. You will be guided through your own wordless sequence as you hone and enhance your picture book craft.
WS1B: Creating a Broad Research Bank For Your Novel w/ Charlotte Bennardo (MG/YA)
Go beyond using Google to broaden the depth of research for your novel. As an exercise, attendees will brainstorm about other research tools they have discovered. Charlotte will compile a final list that will be made available as a download post-event.
WS1C: Painting Children—Watercolor w/ Karen Romagna (Illustration)
Learn some of the tricks that Karen discovered while illustrating her picture book, Voyage. She will share the importance of good photo reference, using a limited palette, and the emotions you can trigger with facial expressions and body language. Bring sketches of your own characters to work on during the workshop.
WS2—2:10 to 3:10 p.m.
WS2A: Explaining Complex or Unfamiliar Material in Picture Books w/ Laurie Wallmark (PB)
Whether you write fiction or nonfiction, a picture book is the perfect medium to introduce concepts and facts to younger readers. But this is of little use if the child (or the adult reader!) can’t understand the content being presented. Luckily, because of the very nature of picture books, there are many ways to explain complex and/or unfamiliar material in a way accessible to children. This talk will discuss and give examples, from both nonfiction and fiction, of over twenty such methods.
WS2B: The Illusion of Life: Writing that Breathes on the Page w/ Mayrose Wood (MG/YA)
Everyone knows that a really great book can make you miss your stop on the train! But how do we writers use mere words to establish and maintain such a vivid sense of reality that our readers get lost in the fictional world we’ve created? Through examples and writing exercises attendees will explore John Gardner’s concept of the “fictional dream,” and learn how good writing craft can make our stories spring to life in the mind of the reader.
WS2C: Pacing a Picture Book w/ Greg Pizzoli (Illustration)
Using some simple text, Greg will work with illustrators to help develop sketches and demonstrate the visual pacing of a picture book.
WS3—2:10 to 3:10 p.m.
WS3A: Rock Tumbling a Picture Book: The Craft of Revision w/ Beth Ferry (PB)
In this workshop, we will talk about turning the first draft of a story into a manuscript that is ready for submission by cutting, shaping and polishing each sentence. We will explore four major steps of revision and will do hands-on revision exercises. We will also examine some editor-assigned edits and how they affect the final product.
WS3B: Plot, Plan, and Adapt w/ Matt Myklusch (MG/YA)
Mike will discuss his writing process which relies on very detailed outlines, but also knowing when to stick to the plan and when to throw it out the window. Bring a short synopsis of a work-in-progress. Matt will guide attendees to break down their story into acts, in order to help get a handle on story foundation and story destination.
WS3C: Strengthening Our Sketchbook Skills w/ Leeza Hernandez (Illustration)
Do you feel you are lacking a sense of creativity and that it’s holding you back from generating new ideas, characters and/or stories? Wish you could get a better handle on visual world-building? Not really sure where your illustrative voice is? Through examples, and some simple exercises, attendees will learn how to retool their sketchbook in order to rediscover their illustrative individuality, take inspiration from the world around them and build an arsenal of imagery they can use as fodder for future illustration projects.
Posted on: September 29, 2015
All speakers listed alphabetically including editors, agents, designer, keynote and author/illustrator speakers.
Charlotte Bennardo Until Hollywood calls, Charlotte lives in NJ with her husband, three children, two needy cats and sometimes a deranged squirrel. She is the co-author of Blonde Ops (St. Martin’s/Dunne) and the Sirenz series (Sirenz, Sirenz Back In Fashion, Flux). She’s written for magazines and newspapers. Currently she’s working on solo sci-fi, ghost, and time travel novels and loves to hear from fans on Twitter @charbennardo or through her blog, charlotteebennardo.blogspot.com
Beth Ferry is the New York Times Bestselling author of Stick and Stone, illustrated by Tom Lichtenheld. She is also the author of Land Shark, released this August and Pirate’s Perfect Pet, coming Fall 2016. Beth is represented by Pippin Properties and lives with her family by the beach.
Trinka Hakes Noble is the award-winning author of more than thirty picture books including The Scarlet Stockings Spy (IRA Teachers’ Choice 2005), The Last Brother, The Legend of the Cape May Diamond, The Legend of Michigan and Apple Tree Christmas, which she wrote and illustrated. Other titles include The Orange Shoes (IRA Teachers’ Choice 2008), The Pennsylvania Reader, The New Jersey Reader, Little New Jersey, Little Pennsylvania and The People of Twelve Thousand Winters. Ms. Noble also wrote the ever-popular Jimmy’s Boa series and Meanwhile Back at the Ranch, both featured on PBS’s Reading Rainbow. She currently lives in northern New Jersey. Learn more at her Web site trinkahakesnoble.com.
Leeza Hernandez is a picture book illustrator-author who spends her creative time noodling around with story ideas and printmaking in her studio. Her latest illustrated book and third in the Homework series—Eat Your U.S. History Homework (Charlesbridge)—releases October 13, 2015. Other books include Cat Napped! Dog Gone! (Putnam) and Never Play Music Right Next To The Zoo, written by actor and NY Times best-selling author John Lithgow. For more, visit leezaworks.com. You can also follow her on Twitter and Instagram @leezaworks
Molly Jaffa has been working closely with Folio authors’ projects since 2008, and is an Associate Member of the Association of Authors’ Representatives (AAR). In addition to building her selective but growing list of fiction and nonfiction clients, Molly is Folio’s Co-Director of International Rights. She actively pursues sales of international rights and attends all major international book fairs, helping Folio clients’ books reach wide audiences in as many formats as possible. Her children’s fiction clients include #1 New York Times bestselling author Julie Murphy (SIDE EFFECTS MAY VARY and DUMPLIN’), Lana Krumwiede (The Psi Chronicles middle grade trilogy and JUST ITZY), Jeramey Kraatz (THE CLOAK SOCIETY), Kristen Lippert-Martin (TABULA RASA), and Barrie Summy (THE DISAPPEARANCE OF EMILY H). You can follow her on Twitter @molly_jaffa.
Andrea Miller Several years ago, while attending the University of the Arts in Philadelphia by day and scooping ice cream by night, Andrea would have never dreamed she'd be designing children's books after graduation. Sure enough, she moved straight from Philly to New York after graduating and has been designing at Sterling Publishing ever since. Andrea designs and assists in art direction on a wide range of children's books at Sterling, from picture books to non-fiction science series to middle grade novels. She loves utilizing artists with a cinematic approach to their work just as much as she adores flat, simplified graphic styles so long as the art shows emotion, character, and movement. She lives with her wife, her six bookshelves, and a box of ink and brushes in the remote depths of Brooklyn, NY.
Allison Moore is an associate editor at Little, Brown Books for Young Readers. She works on a wide range of books from illustrated titles to middle grade and young adult novels. She is the editor of the upcoming City Shapes by Diana Murray and Bryan Collier; Dreamland Burning by Jennifer Latham, and President of the Whole Sixth Grade and The Sweetest Sound by Sherri Winston, and also co-edited Beep Beep Go to Sleep by Todd Tarpley and John Rocco, The Little Shop of Monsters by R.L. Stine and Marc Brown, Towers Falling by Jewell Parker Rhodes, and The Nuts series by Eric Litwin and Scott Magoon. She has worked on picture books by Todd Parr, Sujean Rim, Nancy Tafuri, Julie Andrews and Emma Walton Hamilton, and Bob Staake; novelty books by Sandra Magsamen; and novels by Karen Healey, Diana Lopez, and Andrea Davis Pinkney, among others. Allison is particularly interested in picture books with fresh, contemporary art styles and clever stories that appeal to all ages; character-driven chapter books with original premises and a strong sense of voice; and middle grade and YA novels that encourage readers to open their minds and consider unexpected points of view and perspectives. She also loves epistolary novels and other innovative narrative and visual formats. Before joining LBYR in 2010, Allison interned at Bloomsbury & Walker Books for Young Readers, Barefoot Books, the Kneerim & Williams agency, and Simon & Schuster UK; worked at a bookstore and at her hometown library; and graduated from Boston University and the Columbia Publishing Course. In her spare time she also runs the book club at Atlas: DIY, a cooperative empowerment center for immigrant youth. You can find her on Twitter @allisonm610.
Matt Myklusch is a middle-grade fantasy/adventure writer and the author of SEABORNE series (Lerner Books) and The Jack Blank trilogy (Simon & Schuster, Aladdin). When he's not busy writing about kite-boarding pirates, super-heroes, and robot-zombies, Matt hosts The Other Side of the Story Podcasts, speaking with other authors about their creative process and path to publication. Matt lives in New Jersey with his wife and family, where he is always hard at work on his next book. All bios are listed alphabetically including editors, agents, art directors and author/illustrator speakers.
Greg Pizzoli is an author and illustrator of books, mostly for children. His published titles include The Watermelon Seed, Number One Sam, Templeton Gets His Wish, Tricky Vic: The Impossibly True Story of the Man Who Sold the Eiffel Tower, Good Night Owl, and others. He was the 2014 recipient of the Theodor Seuss Geisel Award, and the 2015 recipient of the Pennsylvania ONE BOOK Award. He lives in the Bella Vista neighborhood of Philadelphia with his wife and artist Kay Healy.
Karen Romagna recently made her debut as a picture illustrator with Billy Collins’ poem, Voyage. She paints her illustrations traditionally with watercolor. Much of her inspiration comes from nature on long bike rides through rural New Jersey or walking along the beach at the Jersey Shore. Karen is the Illustrator Coordinator for the New Jersey chapter of SCBWI.
Emily Seife is an editor at Scholastic Press. Emily edits middle grade and young adult fiction, including the New York Times bestseller TombQuest: Book of the Dead by Michael Northrop, Faceless by Alyssa Sheinmel, and Moving Target by Christina Diaz Gonzalez. She loves YA with dangerous or flawed protagonists, and middle grade with loads of humor and heart. Emily lives in Brooklyn, NY, and you can find her at @e_seife.
Amy Stern started at the Sheldon Fogelman Agency in 2010 as an agent assistant and has spent the past five years taking on additional responsibilities. While she has worked with many of the agency's award-winning clients, including Jerry Pinkney and Peggy Rathmann, Amy spends most of her time working with new and up-and-coming authors and illustrators. She also mentors writing students in the MFA program at Simmons College's Center for the Study of Children's Literature. Amy majored in English and creative writing at Bryn Mawr College and received masters degrees in children's literature and library science at Simmons College. Prior to joining the agency, she interned at Writers House. Amy is open to everything from picturebooks through young adult novels, and interested in working with authors and illustrators as well as those who do both. She gravitates towards projects that deal with underrepresented identities, and has a soft spot for stories and characters that explore liminal spaces.
Saba Sulaiman is the newest agent at Talcott Notch Literary Services, a boutique agency located in Milford, CT. Born and raised in Sri Lanka, she grew up all over South Asia before emigrating to the United States to further her education. She holds a BA from Wellesley College and an MA from the University of Chicago, where she studied modern Persian literature. After working for various magazines and publications in Seattle, Moscow, and Karachi, she entered the trade-publishing world through an editorial internship at Sourcebooks. Being a first generation immigrant who is constantly negotiating her own identity and sense of belonging in a place she now calls “home,” she is committed to highlighting more diverse voices with compelling stories to tell; stories that demonstrate the true range of perspectives that exist in this world, and address urgent and often under-explored issues in children’s fiction with veracity and heart. Follow her on Twitter @agentsaba.
Laurie Wallmark writes exclusively for children. She can't imagine having to restrict herself to only one type of book, so she writes picture books, middle-grade novels, poetry, and nonfiction. She is currently pursuing an MFA in Writing for Children and Young Adults at Vermont College of Fine Arts. When not writing or studying, Laurie teaches computer science at a local community college, both on campus and to students in prison. The picture book biography, Ada Byron Lovelace and the Thinking Machine (Creston Books, 2015), is Laurie’s first book.
Alison S. Weiss is an editor at Sky Pony Press. Her focus is chapter books through YA. She’s especially eager to find a middle grade with a cozy feel, and a voice-driven, sweeping, romantic YA. She’s worked with New York Times best-selling author Jessica Verday (Of Monsters and Madness), Agatha Award winner Penny Warner (The Code Busters Club series), YALSA-award winning Sarah Cross (Kill Me Softly and Tear You Apart), ITW Award Finalist Kristen Lippert-Martin (Tabula Rasa), Mike A. Lancaster, Kristina McBride, Jessica Taylor, Amalie Howard, and Sarah McGuire, among others. She also assisted on Christopher Myers's H.O.R.S.E., which won a 2013 Coretta Scott King Illustrator Honor Award and the 2014 Odyssey Award. Follow her on Twitter @alioop7. SPECIAL NOTE: Alison is willing to critique PB, but does not take on picture books. Should she feel your project is promising, she will pass it along to the appropriate colleague.
Maryrose Wood is the author of The Incorrigible Children of Ashton Place, the critically acclaimed series for middle-grade readers (published by Balzer + Bray, an imprint of HarperCollins Children’s Books). Book I, The Mysterious Howling, was a Junior Library Guild selection and named a Best Children’s Book of 2010 by The Christian Science Monitor, Kirkus Reviews, and others. Wood has also written novels for young adults, including My Life: The Musical (Delacorte) and Why I Let My Hair Grow Out (Berkley Books, currently in development for television by the Disney Channel). Her personal essays and short fiction appear in Recycle This Book: 100 Top Children’s Book Authors Tell You How to Go Green (Penguin Random House), Dear Bully: Seventy Authors Tell Their Stories (HarperCollins), Who Done It? (Soho Teen), and Starry-Eyed (Running Press). Maryrose teaches writing at NYU’s Gallatin School and in the Stony Brook Children’s Literature Fellows program, and in private workshops that incorporate yogic practices as a means of freeing and directing the energy inherent in good storytelling. Her most recent book is The Unmapped Sea, the fifth installment in the Incorrigible Children series.
Posted on: September 26, 2015
FALL CRAFT WEEKEND
NOVEMBER 7TH & 8TH
Come join us at the Princeton Theological Seminary
in the heart of Princeton!
Registration link: Coming Soon!
Here is a quick peek on our line up: Saturday we will have nine author/illustrator workshops that include craft related exercises. On Sunday, our writer/illustrators day includes a new feature; a 2-hour round table where you can get even more feedback on your work! There will be separate round tables for writers and illustrators. As we are wrapping up the final write-up, our guest editor and agents include:
- Keynote speaker Maryrose Wood the awesome author of ‘The Incorrigible Children of Ashton Place’, a middle grade series.
- Gregg Pizzoli an award winning illustrator/author of several books including ‘The Watermelon Seed.’
- Emily Seife, Associate Editor at Scholastic Press
- Allison Moore, Associate Editor at Little Brown Books For Young Readers
- Alison Weiss, Editor at Skyhorse Publishing
- Saba Sulaiman at Talcott Notch Literary Services
- Amy Stern at the Sheldon Fogelman Agency
- Molly Jaffa at Folio Literary Management
If you are a writer planning on signing up for a critique be prepared to upload your manuscript pages when you register.
Hope to see you there!
Cathy and the NJSCBWI Team
Regional Advisor, NJSCBWI
Posted on: May 12, 2015
By Lyn Sirota
Whether this conference is your first writer's conference or your twenty-first, there is a level of excitement and anticipation of the big event. Who will I meet? What new gems will help build my skill sets? And the big one…will I get closer to selling a manuscript?
After all, isn't that what every writer is after? True. But learning from the process along the way builds strong writers who value the journey. The people we meet, and how we present ourselves and our work is game changing. So it's good to have a plan for each conference. The plan doesn't need to be anything formal. Just some forethought.
It might take a few readings of the conference materials to understand the flow of the day/s. If the selection of workshops or sessions is intricate, print the options in order to read through everything thoroughly and highlight or underline interests and choices. It helps to have a first choice and a back up choice. Learn the rules to know if it is acceptable to move between sessions during session time.
Plan your information management ahead of time. Decide how you're taking notes. Whether it is recording notes in a notebook, laptop, tablet or phone. Often handouts are given and it can be helpful to take notes on the handouts or take a picture of the handout with a smart phone for use later.
If there are editors you know you would like to meet, make a list of them. If you are going to their sessions, you'll know who to look for later. If you're not, you might need the assistance of a conference volunteer to point them out to you.
Develop a "pitch" just in case anyone—whether it be editor or colleague—asks what your manuscript is about. Think of a pitch like a help wanted advertisement. Say just enough to pique the interest of the other party without giving it all away. It's helpful to rehearse this and run it past other authors or a critique group to test it out.
Have an exit strategy. There will be many people to talk to and it is important to maximize time. Whether it is "Excuse me I need to find the rest room" or "Excuse me I need to locate an editor I've been wanting to introduce myself to," all of these help the day run a little smoother and help accomplish goals.
Wear comfortable, but professional clothing and shoes. Dress in layers. Conferences often have issues with heat and cooling, so it helps to have options. Your conference experience is always a function of what you make of it. Going into it with an open mind is, perhaps, the best step in the journey of becoming published!
There are a few more spots still available at the New Jersey Summer Conference, sign up today!
Posted on: May 11, 2015
Miriam Newman works primarily on fiction and nonfiction for ages 10 and up. She has worked on a wide variety of titles, notably The Name of the Blade trilogy by Zoë Marriot, The Worst Witch to the Rescue by Jill Murphy, and the upcoming feminist historical fiction anthology A Tyranny of Petticoats. While Miriam is interested in all genres, she has a particular fondness for science fiction, fantasy, and mystery and is especially interested in books with LGBTQAI characters and books involving LGBTQAI, sexuality, consent, and mental health themes.
Miriam replaces Carter Hasegawa during the summer conference. She will present "The Candlewick Editorial Process" workshop on both days, particpate in two First-Page sessions (WS5 FPF & WS6 FPG) and critique those who signed up for a manuscript critique with Carter. Questions? Contact us.